Healing Words

Today, I want to lift the work of two late women writers of color who understood that spirituality must be embodied. Their words are powerful, challenging, and healing.

First, today is the birthday of Gloria Anzaldúa, a lesbian Chicana feminist writer and scholar. Born in south Texas, she lived life on the border, literally and figuratively. As a child, she was punished for speaking English with a Spanish accent. As an adult, she chose to write in a mixture of English and Spanish. Her award-winning work bridges scholarship and activism, addressing the strife and marginalization imposed by her blended identity and the ways that she reclaimed and decolonized her experience. Her words are sensual, poetic, and fierce.

Here’s a word from her:
“Don’t give me your tenets and your laws. Don’t give me your lukewarm gods. What I want is an accounting with all three cultures–white, Mexican, Indian. I want the freedom to carve and chisel my own face, to staunch the bleeding with ashes, to fashion my own gods out of my entrails. And if going home is denied me then I will have to stand and claim my space, making a new culture–una cultura mestiza–with my own lumber, my own bricks and mortar and my own feminist architecture.”

You can read her most famous work, Borderlands, here. If you’re new to her work, I recommend “How to Tame a Wild Tongue” and “Entering into the Serpent.”

Second, we read a passage from womanist author and Nobel laureate Toni Morrison’s Beloved today in Bodies class. I have nothing to add, but I want to leave it here.
“When warm weather came, Baby Suggs, holy, followed by every black man, woman, and child who could make it through, took her great heart to the Clearing–a wide-open place cut deep in the woods nobody knew for what at the end of the path known only to deer and whoever cleared the land in the first place. In the heat of every Saturday afternoon, she sat in the clearing while the people waited among the trees. After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, ‘Let the children come!’ and they ran from the trees toward her. Let your mothers hear you laugh,’ she told them, and the woods rang. The adults looked on and could not help smiling.

Then ‘Let the grown men come,’ she shouted. They stepped out one by one from among the ringing trees. Let your wives and your children see you dance,’ she told them, and groundlife shuddered under their feet. Finally she called the women to her. ‘Cry,’ she told them. ‘For the living and the dead. Just cry.’ And without covering their eyes the women let loose. It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart. She did not tell them to clean up their lives or go and sin no more. She did not tell them they were the blessed of the earth, its inheriting meek or its glorybound pure. She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it.

‘Here,’ she said, “In this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don’t love your eyes; they’d just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face ’cause they don’t love that either. You got to love it, you! And no, they ain’t in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. What you put into it to nourish your body they will snatch away and give you leavins instead. No, they don’t love your mouth. You got to love it.

This is flesh I’m talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I’m telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. and all your inside parts that they’d just as soon slop for hogs, you got to love them. The dark, dark liver–love it, love it and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.’”

That’s all I have for today, Brave Ones. May it nourish you.

See a film version of that scene from Beloved here.

An Aural Epistle

Note: This one’s sexually explicit and about me. Beware! 

Auralism: the fetishization of sound

I’m an aural person. I enjoy hearing words, sounds, and songs. In sexual contexts, I’d much rather hear than see. There’s something about the unspooling of the voice as arousal builds that just gets me. My sub is quite vocal, and he’s gotten louder with training. I delight in the unconscious sounds that he makes, from little gasps to broad, ecstatic moans. And I admire them. It takes guts to be so noisy. 

Sometimes, I have him send audio recordings. He always records himself when I allow him to orgasm. Several days ago, I gave him permission to play with himself, with one caveat: he would have to ‘talk’ the whole time. Now, to be clear, this was not a phone conversation. This was sexting; he would be talking to himself. I imagine that’s difficult, but he did it. 

Somehow, just knowing that he was obediently narrating his desires to an empty room aroused me almost as much as hearing him in person. While he edged, I settled in and started to explore my own body–I ended up doing a little edging of my own. The thought of him panting as he forced himself to make words was almost enough to tip me over the edge, but I wanted to wait. I told him that I expected him to speak right up to the moment of orgasm.

I can’t capture sound in writing, but the result was delicious, right down to the fuzzy microphone feedback. He told me how much he loved being fucked by me, described what he wanted me to do to him, and begged to cum. His orgasm came like a record scratch, mid-sentence. Mine followed by mere seconds, nearly silent. And then he thanked me. 

Silence is dignified, but sound is brave. Through hearing, I share in my sub’s bravery. Next time, maybe I’ll do the talking.     

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Fetish Foibles, Part 3 – Social Submission

Welcome to Fetish Foibles, the series where I recount my mistakes as a Dominant for our mutual edification. In the wise words of Queen Clarisse of Genovia, “Don’t make the same mistakes I did; make your own mistakes!” 

This one’s a twofer. Both of these situations relate to the tricky issues that can come up with ‘public’ acts of submission (in kink-oriented settings). The first one is someone else’s foible, but it made me remember one of mine. 

Tl;dr – When experimenting with D/s in a social setting, clarify expectations with your partner and the people with whom you’re socializing. 

I had a strange and mildly unpleasant social experience at the local fetish club recently, which I’ll pick apart now. A Dom and sub asked to sit next to me on the sofa, which was fine. Then, the Dom sat on the sofa, and the sub knelt on a cushion in front of him and began to massage his feet. Neither party spoke to me after settling in. Now, normally, that sort of thing is my jam. Power exchange with service and protocol is often more interesting to me than play without power exchange. And not talking to people? Great! But in this situation, I felt like I had been roped into a scene as an unwilling spectator. 

We were sitting close enough together that I could have made eye contact with the sub while looking straight ahead. I felt like I was sitting too close to something so intimate. I’ll freely admit that I’ve gotten a bit desensitized to sex. I can watch a sex scene and think “Huh. That’s nice; they’re using protection. Good technique…” without getting hot under the collar. D/s protocol scenes are a different matter. It’s the vulnerability! *bangs fist on table* And the intimacy! Ahem. Anyway. This couple could have chosen any other location in the dungeon, including various chairs. I got the sense that they wanted others to be close and to watch. That’s not a bad thing in itself, but I had two issues, which I didn’t fully understand in the moment:

  1. They didn’t tell me they wanted to do this dynamic interaction when they asked to sit down, so I didn’t get to consent to being so close to the scene (generally speaking, it is etiquette here to stay at least a few feet away from a scene in progress). 
  2. They didn’t talk to me or even introduce themselves before starting their scene. I then didn’t feel like I could talk to them or ask for clarification, as they were cultivating an interaction with each other. I just happened to be mere inches away. 

Combined, these issues made me feel like a prop. A very awkward prop. 

Here’s what would have helped:

  1. They could have scened elsewhere in the dungeon. Granted, this couple may not have thought of what they were doing as a scene, but the sofas are generally social spaces, and these two were cultivating something very specific and personal. It felt different from the kind of socializing that D/s couples sometimes do, where the s-type sits on the floor in front of the D-type while they watch others play. 
  2. They could have introduced themselves and clarified what they wanted to do. The Dom could have said “Hi, I’m So-and-so, and this is Such-and-such. I’m speaking for her right now because she’s under protocol this evening and is only talking to me. We’d like to do a little foot massage scene here because it’s right in the middle of the dungeon, but we don’t want to invade your space…” And then, I probably would’ve thought “Cool!,” introduced myself, asked a couple of clarifying questions (like whether the Dom was open to socializing or wanted to focus on his sub), and had a lovely time watching. 

If they’d taken one of those steps, I would not have felt used (fortunately, I was able to make a fairly quick exit, as my sub prepared a space elsewhere to give me a massage). 

Now, that situation reminded me of a mistake I made many months ago, when my sub and I were experimenting with ways to show our D/s dynamic in kink spaces. The first time I brought him to the dungeon, I had him sit on a cushion on the floor in front of me. What we didn’t realize was that when people see that configuration, they sometimes assume that the floor-sitter is under some sort of speaking restriction protocol. My poor sub, social butterfly that he is, found himself largely left out of conversations because people did not know how to interact with him. 

On top of being in a new space and trying to meet new people, he was trying to be a good sub in a public setting for the first time, and my expectations of him weren’t clear. I simply hadn’t considered the practical, social implications of our physical positioning. It left him feeling unstable–and even unwanted. As the D-type in that situation, I should have clarified my expectations for his behavior and checked in with him about how the new protocol felt throughout the evening. If I had realized that people thought they weren’t supposed to talk to him, I would have clarified with them too, or I would have had him sit beside me so that he could converse more easily with others. 

Moral of the story: when using a public protocol, don’t assume that everyone’s on the same page. Clarify expectations with your partners and others in the immediate area. And if you’re the D-type in a situation that renders your s-type more vulnerable than usual, remember that your duty of protection extends into the social arena.