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To all God’s Beloved…

Welcome to Unbuttoned Epistles, a queer kinky Christian’s thoughts on faith and sex in the American South! 

Here you’ll find…

  • Reflections on my journey with kink, sexuality, and faith,
  • Biblical interpretation and Bible studies,
  • Feminist, sex-positive and LGBTQ-friendly resources,
  • Sex education and how-to’s,
  • Media reviews and recommendations,
  • Stories and erotica,
  • And other queerstian rants and raves. 

For more detailed info about my purposes here, see “About the Epistles,” “About Me,” and “My First Epistle.” 

If you’d rather not see sexually explicit writing, choose the “Non-Explicit Epistles” category. Please heed the content notices at the tops of posts, and use the tags to find the topics you’re looking for. 🙂 

Be of good courage!

Perpetua Fox

She/her/hers

What I’ve Learned So Far: A Reflective Epistle

In the past few days, I’ve had this odd hankering to reflect on the past year in writing. I don’t yet know how my finals will turn out, and perhaps I should be working on them. But I love to procrastinate work with other work. So, here are a few things I’ve learned since I got involved as a switch in the kink community about a year-and-a-half ago:

  • I’ve learned that munches are pretty great, especially if you can tell people apart. 
  • I’ve learned how to spank, flog, strap, paddle, cane, finger-fuck, peg, and edge. I’m learning how to communicate, ask good questions, listen, maintain boundaries, process difficult feelings, and not use dominance or submission as a security blanket. I haven’t yet learned how to get anything satisfying out of the riding crop. 
  • I’ve learned to face fears and take care of myself (I even went to the gynecologist and got treatment for chronic pain). I also started this blog, and I’m proud of myself for not giving up on it–it feels good to recognize that I’m building resilience. 
  • I’ve learned that playing with lazy, unmotivated play partners is not part of ‘paying my dues‘. I used to think that I had to deal with a few blah play partners in order to ‘hone my craft,’ a bit like an apprentice doing grunt work. In real life, that translated into bending over backwards to educate and accommodate flaky, lazy men who hadn’t taken the time to educate themselves. I’ve noticed that as I’ve gotten more experience, this type of man has largely disappeared from my DMs. 
  • Through my D/s dynamics, play experiences, and conversations with friends in the local community over the past several months, I’ve learned that a lot of kink isn’t sexual. Thus, I now tend to describe BDSM simply as “One of the ways grownups play.” For example, my dynamic with my Dominant isn’t really sexual so far, and my submission to her isn’t sexually motivated. Our play and D/s interaction centers around sensuality, service, and mutual growth. If you’d told me this last year, I would have been shocked. It just goes to show that even when discussing ‘alternative lifestyles,’ we often don’t recognize the kaleidoscope of healthy, loving ways for human beings to interact. 
  • On the other hand, some of my kinky play is quite sexual! In my dynamic with my submissive, a major element of my holistic dominance is my ownership of his sexual life (long-term, encompassing control that I wouldn’t have expected to want at the start of my kink journey). I’ve learned that (consensually) stepping into someone’s personal space in a dominant frame of mind can be a strong sexual trigger. Perhaps it sends a signal to my body, paradoxically, that I can ‘let go’ and be sexual (Emily Nagoski’s “gas pedal and brakes” framework makes sense to me here).
  • I’ve discovered that I have an inner sadist (which I’ll talk about more at another time). I like to watch people grow, to assign homework, to ask probing questions that confront assumptions. To an extent, it’s satisfying to watch people struggle, knowing that they will come out of the difficult experience wiser, kinder, and more resilient. A while back, my Dominant shared some concerns she had about being in a process of growth. I said, “This may sound strange, but as your submissive, I’m still sadistic. I derive joy from your discomfort.” She wasn’t offended–that tells me that I’ve chosen a good Domme. Do I have an inner masochist? I think so. Stay tuned.
  • I’ve learned that I’m not immune to pettiness, jealousy, and consent accidents. And while we’re at it, I’m not immune to ye olde frenzy. I’ve made many mistakes and will make more (see Fetish Foibles for a couple of examples from my dominant life). 
  • I’ve had a complicated journey with submission. There’s a reason I’ve been calling it #Subpocalypse2019. Being confronted with a serious opportunity to submit frightened me, even made me feel ashamed. Frankly, it embarrasses me to think of the monsters that came out of my mental closet. I’ve learned a lot about my fears and insecurities. 
  • I’ve been learning how to manage multiple dynamics, friendships, etc. that require care and attention. I honestly believe that I’ve become more of a stickler for planning and scheduling because of my kink exploration. Planning is one way to show care for people, even if that just means planning a little extra sleep into your schedule so you can be fully alert during negotiation and play. While we’re at it, I’ve learned that gratitude is more precious than gold. 
  • In making the leap from kinky fantasy into kinky reality, I’ve learned to fantasize more responsibly. That is, I think more deeply about my fantasies and how they relate to my needs. Fantasy has been a lifelong coping mechanism for me; I’ve always been imaginative, and as a child, that’s how I spun straw into gold. I used to eroticize the feeling of being left-out and marginalized in social groups, in situations where my tender young mind saw no alternative. It went something like this: “Oh, I’ve been left out. I shall now be Cinderella.” And I would revel in the degradation of my imagined servitude. Nowadays, I try to think through my options before spinning a fantasy. For example, if I’m feeling bad, I might think, “Is this a situation that I can work through in the ‘real world’? Am I using this fantasy to make my shame feel sweeter instead of confronting it?” That doesn’t mean I restrict my imagination (or, for that matter, that fantasies are ‘good’ or ‘bad’) but that I try not to use fantasy to avoid the hard work of reflecting, communicating my needs, and following through in reality. 
  • Maybe you’re wondering whether I, a queer, kinky Christian divinity student, have any reflections on faith here. First, my journey has taught me that Dominants are not deities, though we can certainly play with those roles and language. We don’t ever ‘deserve’ anybody’s submission (we don’t even deserve the capital ‘D’ at the beginning of ‘Dominant’). Now, what about God, whom some people choose to conceptualize as the ultimate Dominant? I don’t know what to make of God, to be quite honest. God is a mystery, and I’m leaving it at that for now. I haven’t truly ‘worshipped’ in a traditional sense in quite a while, but I think God can understand that. 
  • I’m pretty sure my Christology (my sense of the divinity of Jesus) has come down a few notches–I used to really like the idea that God, through Jesus, could understand the spectrum of human suffering, but I’m not so sure anymore. Overall, I feel as stubbornly rooted in my Christianity as ever, but, to quote transgender pastor Allyson Dylan Robinson, I’ve “sacrificed my certainty” many times. 
  • I’m just beginning to explore the connection between kink and spirituality (read a bit about my frustration with traditional ‘spiritual practices’ here). But I’m finding kinky activity to be intensely connective and intimate, a time when I can be completely focused on my partners. Regardless of my role, kink requires me to be vulnerable, showing up as myself. I learned how to show up with vulnerability in part through my Christian faith and nurturing community. Yet, I find that I usually can’t show up that way when I try to pray–I have too many complicated thoughts and feelings, confusion and anger, sometimes blankness where I would once have imagined God to be. It’s hard to talk to a mystery. People are slightly easier. So perhaps kink is a way that I can commune with the Divinity in myself and others. I hope to explore this idea further. 

I honestly have more to say, but I think that’s enough for now. I am grateful for the people, the discoveries, and the opportunities to learn that I’ve had so far in the kink community. I look forward to learning more as I continue my journey.

Be of good courage!

Masturbation Monday

Let Me Walk the Labyrinth (On My Knees and Blindfolded)

Let me walk the labyrinth on my knees and blindfolded. 

I walked a labyrinth for the first time in years a few days ago. In modern usage, a labyrinth is a spiritual tool, a bit like a maze with no dead ends. It takes you down a winding path to the center and then back out. Just when you think you’ve made it, the labyrinth sends you far away from your destination. People will often enter a labyrinth with a question in mind and let that labyrinth carry them through as they contemplate it. That all sounds lovely and poetic in theory, but I’ve never really ‘gotten’ labyrinths. Like many spiritual practices, labyrinths frustrate me, and not in a way that feels spiritual.

I’m a bit like Pastor Nadia Bolz-Weber, who once said, “I get what can only be described as road rage when I’m stuck behind someone walking slowly in a prayer labyrinth.” I walk, and I try to feel something ‘spiritual,’ and then I get frustrated with myself for putting that kind of pressure on what is essentially a stroll. I crunched through the leaf litter of this outdoor labyrinth recently, struggling to let go long enough to feel the leaves–as it was, I experienced them intellectually, outside myself, as noisemakers that could interrupt other walkers. I wasn’t always like this. 

I danced through my first labyrinth, which was just a marked mat spread out in the church fellowship hall. I was a child skipping gleefully past all the adults, who took slow, careful steps, as if they were walking a tightrope. They stood for long minutes in the center like sleeping birds while I ran rings around them, giddy with the twists and turns. Now, I’m an adult, so caught up in doing it right, in making enough space for the other walkers, and trying to be remotely ‘spiritual’ on top of that. A spiritual practice that provokes that kind of excess thinking isn’t for me. 

Or maybe it just requires a little modification. What if I allowed myself to dance through the labyrinth again? That would require me to overcome that sixth sense I’ve developed over the years, the one that says “It simply isn’t done.” It sounds spirited–and spiritual–to me. Conversely, what if I gave up my accustomed sense of sight, reliant on the feel of the terrain to know I was following the path? I would have to crawl, grounded in a tactile sense. Would I fight my way through the darkness? Or would I roll around in the dirt, reveling in my sightlessness? I’m not sure I could even complete a labyrinth by myself in that state. I would need the help of other people, ones willing to see me fumble around in broad daylight, to keep watch.

I can think of nothing more spiritual. Maybe I would rage at God. Or puzzle over God’s absence. Or feel overwhelmed by love. Or just pretend to be a mole. Anything but this painfully grown-up labyrinth performance. So no more spiritual tightropes. Let me not know what to say during prayer. Let me cry through my chants. Let me laugh through my Lectio. Let me walk the labyrinth on my knees and blindfolded. 

Chartres Cathedral Labyrinth design

Stone labyrinth image source

Chartres Labyrinth image source

Healing Words

Today, I want to lift the work of two late women writers of color who understood that spirituality must be embodied. Their words are powerful, challenging, and healing.

First, today is the birthday of Gloria Anzaldúa, a lesbian Chicana feminist writer and scholar. Born in south Texas, she lived life on the border, literally and figuratively. As a child, she was punished for speaking English with a Spanish accent. As an adult, she chose to write in a mixture of English and Spanish. Her award-winning work bridges scholarship and activism, addressing the strife and marginalization imposed by her blended identity and the ways that she reclaimed and decolonized her experience. Her words are sensual, poetic, and fierce.

Here’s a word from her:
“Don’t give me your tenets and your laws. Don’t give me your lukewarm gods. What I want is an accounting with all three cultures–white, Mexican, Indian. I want the freedom to carve and chisel my own face, to staunch the bleeding with ashes, to fashion my own gods out of my entrails. And if going home is denied me then I will have to stand and claim my space, making a new culture–una cultura mestiza–with my own lumber, my own bricks and mortar and my own feminist architecture.”

You can read her most famous work, Borderlands, here. If you’re new to her work, I recommend “How to Tame a Wild Tongue” and “Entering into the Serpent.”

Second, we read a passage from womanist author and Nobel laureate Toni Morrison’s Beloved today in Bodies class. I have nothing to add, but I want to leave it here.
“When warm weather came, Baby Suggs, holy, followed by every black man, woman, and child who could make it through, took her great heart to the Clearing–a wide-open place cut deep in the woods nobody knew for what at the end of the path known only to deer and whoever cleared the land in the first place. In the heat of every Saturday afternoon, she sat in the clearing while the people waited among the trees. After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, ‘Let the children come!’ and they ran from the trees toward her. Let your mothers hear you laugh,’ she told them, and the woods rang. The adults looked on and could not help smiling.

Then ‘Let the grown men come,’ she shouted. They stepped out one by one from among the ringing trees. Let your wives and your children see you dance,’ she told them, and groundlife shuddered under their feet. Finally she called the women to her. ‘Cry,’ she told them. ‘For the living and the dead. Just cry.’ And without covering their eyes the women let loose. It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart. She did not tell them to clean up their lives or go and sin no more. She did not tell them they were the blessed of the earth, its inheriting meek or its glorybound pure. She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it.

‘Here,’ she said, “In this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don’t love your eyes; they’d just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face ’cause they don’t love that either. You got to love it, you! And no, they ain’t in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. What you put into it to nourish your body they will snatch away and give you leavins instead. No, they don’t love your mouth. You got to love it.

This is flesh I’m talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I’m telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. and all your inside parts that they’d just as soon slop for hogs, you got to love them. The dark, dark liver–love it, love it and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.’”

That’s all I have for today, Brave Ones. May it nourish you.

See a film version of that scene from Beloved here.

An Aural Epistle

Note: This one’s sexually explicit and about me. Beware! 

Auralism: the fetishization of sound

I’m an aural person. I enjoy hearing words, sounds, and songs. In sexual contexts, I’d much rather hear than see. There’s something about the unspooling of the voice as arousal builds that just gets me. My sub is quite vocal, and he’s gotten louder with training. I delight in the unconscious sounds that he makes, from little gasps to broad, ecstatic moans. And I admire them. It takes guts to be so noisy. 

Sometimes, I have him send audio recordings. He always records himself when I allow him to orgasm. Several days ago, I gave him permission to play with himself, with one caveat: he would have to ‘talk’ the whole time. Now, to be clear, this was not a phone conversation. This was sexting; he would be talking to himself. I imagine that’s difficult, but he did it. 

Somehow, just knowing that he was obediently narrating his desires to an empty room aroused me almost as much as hearing him in person. While he edged, I settled in and started to explore my own body–I ended up doing a little edging of my own. The thought of him panting as he forced himself to make words was almost enough to tip me over the edge, but I wanted to wait. I told him that I expected him to speak right up to the moment of orgasm.

I can’t capture sound in writing, but the result was delicious, right down to the fuzzy microphone feedback. He told me how much he loved being fucked by me, described what he wanted me to do to him, and begged to cum. His orgasm came like a record scratch, mid-sentence. Mine followed by mere seconds, nearly silent. And then he thanked me. 

Silence is dignified, but sound is brave. Through hearing, I share in my sub’s bravery. Next time, maybe I’ll do the talking.     

friday flash badge


Fetish Foibles, Part 3 – Social Submission

Welcome to Fetish Foibles, the series where I recount my mistakes as a Dominant for our mutual edification. In the wise words of Queen Clarisse of Genovia, “Don’t make the same mistakes I did; make your own mistakes!” 

This one’s a twofer. Both of these situations relate to the tricky issues that can come up with ‘public’ acts of submission (in kink-oriented settings). The first one is someone else’s foible, but it made me remember one of mine. 

Tl;dr – When experimenting with D/s in a social setting, clarify expectations with your partner and the people with whom you’re socializing. 

I had a strange and mildly unpleasant social experience at the local fetish club recently, which I’ll pick apart now. A Dom and sub asked to sit next to me on the sofa, which was fine. Then, the Dom sat on the sofa, and the sub knelt on a cushion in front of him and began to massage his feet. Neither party spoke to me after settling in. Now, normally, that sort of thing is my jam. Power exchange with service and protocol is often more interesting to me than play without power exchange. And not talking to people? Great! But in this situation, I felt like I had been roped into a scene as an unwilling spectator. 

We were sitting close enough together that I could have made eye contact with the sub while looking straight ahead. I felt like I was sitting too close to something so intimate. I’ll freely admit that I’ve gotten a bit desensitized to sex. I can watch a sex scene and think “Huh. That’s nice; they’re using protection. Good technique…” without getting hot under the collar. D/s protocol scenes are a different matter. It’s the vulnerability! *bangs fist on table* And the intimacy! Ahem. Anyway. This couple could have chosen any other location in the dungeon, including various chairs. I got the sense that they wanted others to be close and to watch. That’s not a bad thing in itself, but I had two issues, which I didn’t fully understand in the moment:

  1. They didn’t tell me they wanted to do this dynamic interaction when they asked to sit down, so I didn’t get to consent to being so close to the scene (generally speaking, it is etiquette here to stay at least a few feet away from a scene in progress). 
  2. They didn’t talk to me or even introduce themselves before starting their scene. I then didn’t feel like I could talk to them or ask for clarification, as they were cultivating an interaction with each other. I just happened to be mere inches away. 

Combined, these issues made me feel like a prop. A very awkward prop. 

Here’s what would have helped:

  1. They could have scened elsewhere in the dungeon. Granted, this couple may not have thought of what they were doing as a scene, but the sofas are generally social spaces, and these two were cultivating something very specific and personal. It felt different from the kind of socializing that D/s couples sometimes do, where the s-type sits on the floor in front of the D-type while they watch others play. 
  2. They could have introduced themselves and clarified what they wanted to do. The Dom could have said “Hi, I’m So-and-so, and this is Such-and-such. I’m speaking for her right now because she’s under protocol this evening and is only talking to me. We’d like to do a little foot massage scene here because it’s right in the middle of the dungeon, but we don’t want to invade your space…” And then, I probably would’ve thought “Cool!,” introduced myself, asked a couple of clarifying questions (like whether the Dom was open to socializing or wanted to focus on his sub), and had a lovely time watching. 

If they’d taken one of those steps, I would not have felt used (fortunately, I was able to make a fairly quick exit, as my sub prepared a space elsewhere to give me a massage). 

Now, that situation reminded me of a mistake I made many months ago, when my sub and I were experimenting with ways to show our D/s dynamic in kink spaces. The first time I brought him to the dungeon, I had him sit on a cushion on the floor in front of me. What we didn’t realize was that when people see that configuration, they sometimes assume that the floor-sitter is under some sort of speaking restriction protocol. My poor sub, social butterfly that he is, found himself largely left out of conversations because people did not know how to interact with him. 

On top of being in a new space and trying to meet new people, he was trying to be a good sub in a public setting for the first time, and my expectations of him weren’t clear. I simply hadn’t considered the practical, social implications of our physical positioning. It left him feeling unstable–and even unwanted. As the D-type in that situation, I should have clarified my expectations for his behavior and checked in with him about how the new protocol felt throughout the evening. If I had realized that people thought they weren’t supposed to talk to him, I would have clarified with them too, or I would have had him sit beside me so that he could converse more easily with others. 

Moral of the story: when using a public protocol, don’t assume that everyone’s on the same page. Clarify expectations with your partners and others in the immediate area. And if you’re the D-type in a situation that renders your s-type more vulnerable than usual, remember that your duty of protection extends into the social arena. 

Perfectionism Rant

Hoooo boy. 

Classes (and new jobs) have started in earnest this week, and they’re going pretty well overall. That said, I’m a recovering perfectionist–my perfectionism is manageable, like a low staticy hum in my life most of the time, about a three out of ten. Today, it was dialed up to about a seven, sometimes blaring over the information I wanted to take in. I think that’s mainly because I’m trying so many new things this week. I know I won’t be immediately good at all of them, and they all require shifts between different modes of thinking throughout the day (from a more intellectual ‘class space,’ for example, to the practical and pastoral headspaces of my new jobs). 

Some of it’s the intimidation of the mundane. For example, I’ve never made coffee in my life (it’s just never been necessary to). I’m sure I’ll learn, but I have a feeling that I’ll do it wrong at least once–I already cringe thinking that I’ll forget to fit the lid properly. And I am writing this post in part because I don’t like the number of days that have gone by without writing anything non-academic. I don’t want to lose my commitment to this blog. Are queer, sexy, kinky things happening in my life? Yes. Do I have the energy to write about them right now? No. That will return when my schedule lulls. In the meantime, I’m going to attempt to adjust the dial by chatting with people about impractical things, sharing my anxiety here, and singing along with Steven Universe songs. Those are ways that I treat myself like a beloved friend. I don’t have any major nuggets of wisdom to offer, but I hope that anyone who feels perfectionism creeping up, like I do right now, can treat themselves with kindness (and when that’s hard, reach out to kind people). Be of good courage!

Being a Body

I had my first “Bodies and Theology” class today. It was great. Apropos of my last post, we started class with theatre-influenced movement exercises. At one point, the professor (who is wonderful) asked us to walk like dogs. While my classmates remained upright, I dropped to the floor and scurried around like a puppy. I got to be silly–and there is exhilarating bravery in silliness. We also created some body sculptures, an exercise borrowed from the Theatre of the Oppressed. Posing together without any foreplanning, we attempted to convey the concepts of “knowledge,” “theology,” and “God” through our bodies. 

“God” was the most challenging; our professor invited those who weren’t part of the sculpture to modify it. They joined our hands together until we formed a circle. As a result, the body sculpture that started as a vision of disconnected hierarchy (one person standing, others kneeling and cowering), became an image of connection and interdependence. A very different understanding of God. Rich discussion arose from the choices that we made to represent each idea, the beliefs and biases that they revealed. 

In this class, we are invited to discover God as people with physical bodies. Christianity isn’t traditionally good at that, so I’m excited about this opportunity. It also feels good to have a break from the intensely cerebral space of other classes. When we shared our reasons for taking the Bodies class, I said that I wanted to work on being ‘present’ as a body and to experience things without immediately intellectualizing them. For those who follow my kink journey, that’s also a goal I have for my current exploration of submission. My Dominant said early on that she wanted to see me “feeling without thinking.” What a terrifying thought!

Thinking and feeling are my bread and butter. My strong feelings are normally mediated through intellectual, critical thought, which is useful most of the time. It can, however, lead to a sense of distance from my body when I most want to be present, as if I’m more of a brain floating along than a full being. It sometimes means that sexual experiences feel ‘hotter in hindsight,’ more intensely erotic after I’m removed from the situation than in the moment. I hope that the movement and physicality that this class requires, my continued kink exploration, and the interplay between those two different realms will encourage me to enjoy my body and connect with the Divine in a new way–as an embodied person.

Simon Says

This thought was already rattling around in my brain before I saw that this week’s Wicked Wednesday prompt is “Authentic,” but reading that word clarified why the thought needles me. I will illustrate through anecdotes (note: some overthinking and self-deprecation here).

I have an unusual skill, which is that I’m very good at “Simon Says” (that childhood game where you have to follow “Simon’s” orders, but only if they specify “Simon says”–I could see this going in a smutty direction some time, but not today). I once won a Simon Says competition, beating over a hundred people (I knew not to stop spinning when the next command was given).

My skills had been honed by theatre camp. My first director was a champion Simon; she would call out commands at lightning speed, sometimes tacking “Simon says” onto the end to catch us off-guard or making the wrong motion. The only way one “Simon” was able to best me was by tricking me (“Simon says do this,” he said, while my eyes were closed; I opened my eyes, of course). I wasn’t just good at Simon Says; I also fared well as a statue when we played “Museum guard.” The object of that game was to be the last statue standing while the guards walked through, trying to get you to unfreeze (usually by making you laugh). 

As I look back on that time, I find it interesting that while I struggled with improv games, I was unusually good at games that required me to be focused, still, silent, and obedient, a blank slate. I didn’t even particularly like them, but I liked the simplicity they fostered and the success of winning. 

Very occasionally, I wonder, “Is that my authentic self?” It unsettles me. I don’t want to feel trapped in one mode, which those games required. I don’t want to be shamed by an inability to act decisively when I need to. I’m not clay waiting to be molded; I have my own base characteristics and agency (right?). I want to be authentic, but when I overthink, I worry that my authentic self isn’t someone that I want to be.  

What I believe to be true most of the time is that I actually have many authentic selves, and I don’t have to stick with just one. I can enjoy entering that flow state of obedience without worry, as long as I feel ethical (as when I devote hours playing techie, helping a friend to edit a musical piece to her exact specifications). I can greatly enjoy being a focused, vigilant presence–I carry basic first aid supplies around for a reason. Today, I gave two classmates Neosporin. One compared me to Mary Poppins. #Goals. I also like to be mischievous and silly. I drew enormous eyeballs on the common room white board this afternoon (and got others to join in drawing!) just for the amusing thought that someone will discover them later. I sing to myself when I can. Last night, it was some mixture of “Heaven on Their Minds” and “Elendil’s Oath.” 

For me, the key to true authenticity is a system of ethics that I choose to live by–love, justice, compassion, and curiosity, to name a few. I am allowed to express those values in obedient, fierce, dramatic, quiet, aggressive, wise, and silly ways, without jeopardizing the core of who I want to be. I am many things, but as long as I strive to live out my values, I am authentic. For the moment, that means I get to draw all the eyeballs, sing all the songs, and follow to my heart’s content, but I will not be roped into another game of Simon Says any time soon. 

Image source

Sex Dreams – A Grumble

You know, I can see a variety of reasons to cultivate a ‘lucid dreaming practice’. Not automatically dropping out of the air mid-flight when I realize I’m dreaming is one of them. Another reason? I would love to have a good sex dream. My sex dreams, like most dreams, usually end up mixed-up and stressful. Oftentimes, there’s some obstacle to sex, overwhelming desire thwarted by lack of privacy or another problem. I’ll keep looking for places to have sex, only to find that my partner isn’t who I thought they were (or, alternatively, scorpions come out of nowhere).

Last night’s sex dream had all kinds of obstacles. In the dream, I had some serious sexually submissive feelings toward a cis man (I almost never have such feelings toward men in real life). And this was the worst possible man–he was ‘the Reverend’ from Unbreakable Kimmy Schmidt (honestly, couldn’t it have at least been Gretchen?). Having somehow decided that kidnapping and fundamentalist cult leadership weren’t deal-breakers, I threw myself at him. He responded favorably. And then he uncapped his dick, which was like a set of Russian nesting dolls. I didn’t like the new shape he revealed. I then realized we didn’t have any condoms or dams and backed away from the encounter. Well, at least dream-Perpetua had some sense. I wish I could lucid dream my way into a positive, safe experience or let go of reality entirely. Yes, maybe I will cultivate that lucid dreaming practice. It’s on my to-do list. 

Unpacking the Toys

So, I’ve been unpacking and organizing my new digs. Clothes, for example, are roughly organized by type in the dresser. Two of the drawers screech horribly, so I’m avoiding them at the moment. Wintery odds and ends are shoved in the corners of the closet. *Shrug* But the toys, some of which I haven’t seen in three months? I’m treating them like lost children. “My babies!,” I think as I stroke through the floggers, hoping their tails will straighten out when I hang them up. I make a mental note to soak the end of the rattan cane. Everything gets wiped down as I unpack it into the closet. I debate whether to organize items by type (i.e. vibrators together) or activity (anal accoutrements together), or perhaps by frequency of use (dilators in front, ivory soap in back, etc.). The riding crop, which I’ve never been able to use well, is duly laid out. I add a small wooden cutting board. I thought maybe I’d contribute it to the kitchen, but now I think I’ll see how it does as a paddle. The leather care items I can put out on the shelf, at least. A short bamboo rod will arrive in the mail soon.

Most items? They get thrown together. Toys? They get special care. Maybe that’s because I intentionally bought or received most of them as gifts. But some of them, like the cutting board, are just ‘pervertibles’. I value them because their meaning is the meaning that I give, the life I breathe into them as a player. They’re not just objects, but histories told and adventures waiting to happen. I’m eager to learn what new adventures the next three months will bring–maybe even the mysterious crop will reveal its insight.

Psst–If you’re looking for a great toy-focused blog, check out JoEllen Notte, a.k.a. The Redhead Bedhead.